M-Audio’s latest interdeals with offer the majority of bang for fairly bit buck. And USB C...

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The M-Track 2X2M and also 2X2 are the latest enhancements to M-Audio’s substantial variety of audio interfaces, both featuring an ergonomic desktop computer ‘monitor controller’ form variable. Especially, both interencounters utilise the up-and-coming USB Type-C connector. Whilst the inclusion of USB-C is likely to be attrenergetic to those who own current, ultra-portable notebook computers, a USB-C to USB-A cable is offered in the box for anybody yet to jump on that certain bandwagon. We’ll look at the differences in between the 2 as we go along, but fundamentally the 2X2 is a cut-dvery own variation of the 2X2M, lacking its added input sockets and MIDI I/O. This is reflected in their family member prices.

First Impressions

Out of the box, a very attrenergetic steel situation is revealed. The height panel is extended in clear acrylic for a glass impact and also the in its entirety complete says actual quality. A big major volume knob acts as a centreitem and also, curiously, all the other dials seem rather oversized as well. Whilst this would certainly possibly not be to everyone’s taste, the controls are all solid to the touch, with no possibility of them being knocked out of place in the time of a recording session. To the left-hand also side of the panel, below each obtain control, is a four-stage LED meter to show input level. To the appropriate tbelow is a direct-monitor balance manage and also a headphone level knob. Blue LED lighting suggests power and also phantom power standing and also, on the 2X2M, MIDI in/out activity.

The front panel dwellings instrument jack inputs (two on the 2X2M and one on the 2X2), a phantom power toggle switch and also a headphone socket. Conveniently, the instrument inputs on the 2X2M take precedence over the mic/line sockets on the rear, allowing individuals to leave microphones plugged in around the ago when tools are plugged into the front. The rear panel likewise has balanced line outputs on quarter-inch jacks, MIDI sockets (on the 2X2M), a USB-C connector and also a slot for a Kensington protection lock.


Getting erected is reasonably straightforward, particularly on Mac OS wbelow no driver software application is forced. Windows drivers are available from the assistance section of M-Audio’s internet website and also there’s no additional configuration software to install since operation depends on easy, hardware controls on the interconfront. Bundled software application is abundant and also might be downloaded and also authenticated complying with registration. This bundle contains Cubase LE and a whole hold of audio and digital instrument plug-ins from AIR Music Technology that will certainly be well known to users of Pro Tools. Those that really value their difficult disk room need to be warned that the Cubase installer includes added content that will certainly lay unprovided unmuch less you either pay to upgrade or carry out detective job-related to rerelocate the files manually; I’m perpetually frustrated by software manufacturers adopting this method. Meanwhile, the bundled AIR software application will helpcompletely enhance any kind of of the more modest DAW packeras by adding audio handling usability and also high-quality sounds from the likes of Xpand!, the Mini Grand also piano plug-in and also the Strike drum plug-in. Once again, plenty of disk space is crucial, through Strike alone requiring some 56GB.

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The 2X2M from the rear: Two combination XLR/jack connectors are provided, and balanced line-output jacks. MIDI I/O is a useful inclusion for those grappling through limited USB ports. Connection to the computer is using a newfangled USB-C socket.

In Use

Placed to occupational, the interencounters are very basic to operate. Once microphones are plugged in, the LED meters provide a useful indication of levels without having to glance earlier at the DAW software, although an additional couple of LEDs on the meter ladder would certainly have made this also much better. The preamps, although very simple, give plenty of acquire via very bit undesirable noise even at extreme settings. The mix control for input surveillance (playback versus input signals) makes it extremely quick to set up a monitor feed for the headphones, yet I would certainly have actually preferred to have actually a switch to toggle the input monitoring to ‘stereo’ mode — ie. input 1 panned to the left ear and also input 2 to the ideal — as it makes it much much easier for musicians to make a distinction in between the 2 inputs. On the topic of butlots, it would have likewise been nice for the manufacturer to have actually included a few monitor controller facilities on the top panel — eg. mono and also mute butlots under the volume knob — yet at the price this is maybe wishful reasoning on my component. (However, tright here is definitely some mileage in M-Audio releasing a slightly even more expensive ‘pro’ version additionally dvery own the line that may feature some of these butlots, a second headphone preamp and so on. I’d buy it!).

The 2X2 variant also has actually 2 preamps, however these are confined to a single mic/line input and also one instrument input.

When utilizing the 2X2M on projects with virtual tools I was able to cause and play back tools at the lowest buffer dimension of 32 samples through no undesirable glitches or interruptions to the audio stream; very encouraging indeed considering my ageing computer. However, on a loop-earlier test to verify that the interface was reporting the correct latency figures to the software application, I uncovered tbelow to be a secondary 160 samples of latency (some 3.6ms at a 44.1kHz sample rate) that wasn’t being reported to the DAW. I uncovered the 32-sample buffer dimension — through a total output latency of 6.4ms — to be very responsive, through negligible latency once playing on the keyboard. However, such unreported latency can prove more of a trouble to individuals whose incredibly hectic arrangements or intensive plug-in handling can force them to work at bigger buffer sizes.

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Finally, D-A conversion is pleasing for the price. Listening to some of my go-to reference CDs on headphones I might hear definite advantages when compared to the on-board sound of my MacBook Pro playing at a similar volume. The M-Tracks revealed clear transients on snares and also toms plus a slightly richer low-frequency response. With so many two-input audio interdeals with at this finish of the industry it’s frequently very hard to perceive any type of distinctions in between them, so this came as a pleasant surpclimb.


The two M-Track 2X2s exhilittle a style, construct and also sound high quality that sets them ahead of many of the competition in the ever-crowded market of compact audio interfaces. Putting aside quibbles with unreported latency, at the time of composing you’d need to spfinish a fair little bit more to find an audio interchallenge with comparable specifications that would out-perform the 2X2s. At the price, I’d give the 2X2M version a firm recommendation: the slightly higher spfinish supplies a wise investment in regard to dual microphone inputs and MIDI in/out, negating the need to upgrade early on or faff approximately with a USB hub!

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