Our Verdict

Aimed at the gap in the market between the American Standard and also the Highmethod One arrays, these American Specials succeed via value and also tone in abundance.

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Fender"s own take on Fender"s brand-new Amerideserve to Special line-up is that they are "value-conscious guitars for the times… designed particularly to lug the full Fender suffer of a terrific-sounding, smooth-playing, rock-solid-developed US-made guitar to the functioning male, without emptying his bank account." Well, if anyone can fulfil that promise, it"s Fender.


The Amerihave the right to Specials" colour range is incredibly limited albeit tasteful, via the Tele easily accessible only in three-tone sunburst and also Olympic white. Our Tele is sunburst and also functions the thin polyurethane end up that, unfavor the matt look of the Highmethod One models, emanates a classy and also upmarket vibe. In reality, at first, it"s not basic to watch wbelow - and also indeed if - any corners may have been cut.

You can not help feeling that Leo Fender really did gain it right initially time; so much so that the humble Tele has more than likely had actually more versions constructed roughly it than any type of other guitar alive. So what, if anything, is so "special" about this Special?


"You"d need to spfinish an awful lot even more money to find something significantly much better than this."

Build-wise the Amerihave the right to Special Tele is made from three-piece alder, perfectly coated in three-tone sunburst urethane and also via an attrenergetic light maple neck that"s been treated via a slinky satin end up.The 22 jumbo frets sit on a 9.5-inch radius "board and tuners are Schallers, through a single string tree adorning the headstock.

Our Tele is certainly not an unwieldy beastern. It"s put in addition to an attention to information that indicates it"s difficult (discounting the three-item body, which could bvarious other some) to discover a flegislation in either construction or complete.


Not surprisingly, we find a standard bridge through 3 brass saddles and also the use of a twin-pickup layout. Texas Specials are the choice, the rear coil retaining the black "open" bobbin look and also the neck single-coil with a shiny chrome cover for a look that"s noted out this version for an astonishing 60 years.

What"s slightly various to many Teles is that our neck pickup has actually two adjustment screws that permit you to collection its height through much much less fuss than on Teles of yore; and also Fender has actually likewise liked a black laminated scratchplate that goes fairly well versus the body"s three-tone glow.

The Special adopts the now conventional "post-1967" regulate configuration of single understand volume and tone pots governed by a three-way lever before switch. It also attributes Fender"s Greasebucket tone circuit. Everything about the guitar smacks of function over form; indeed it can well take on Rory Gallagher"s mantra of "let"s go to work" as its very own.

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The Tele"s fuss-cost-free nature reveals itself once you pick it approximately play; there"s little fightago from the level "board and also huge frets. It"s a "buttery" playing endure whether you go for nation bends (the Tele"s viewed residence territory) or bluesy slurs and rock-style finger vibrato. In fact, it"s so basic that you simply get on via the job in hand and also forobtain around every little thing else.


Sounds

Words that sums up our Tele"s overall tone is "clarity", but there"s a definite "snarl" below. The bridge pickup is as bappropriate as you"d expect when played clean, but as with all good Teles, seems to darken as the gain increases.

The Greasebucket circuit indicates that turning dvery own the tone smooths things off without turning it into a woolly mess, and also when lots of gain is included we absolutely enter Gibson"s sonic territory.

Switching to the neck pickup, clarity still rules, however obviously via more inherent warmth. It"s great for Hendrixy fills and also Gilmour-like leads, while taming the tone slightly renders for some delighttotally wealthy jazzy tones.

As you"d expect, middle place is "twang city", but aget, ago off some tone, pile on a little bit of drive and also in effect you have "Crossroadways Light".

So, the Amerihave the right to Special slots in under the long-running American Standard array - for many, Fender"s staple Tele. The more recent, matt-finiburned Highway One series also fills a spot in the market between the more affordable Mexican-made guitars and also the upindustry American Standard and also Vintage series, but several civilization desire their guitars shiny, not matt.

These Amerideserve to Specials take some of the ideal functions of all the over, include a neat new twist here and also tright here, and also come up via a sparsely lived in line that have to instantly appeal to Fender-heads that do not have bottomless walallows, yet who feel they as well deserve full-on Amerihave the right to high quality - and gloss - at streetwise prices.

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If you"re in the industry for a Tele, then you"d need to spfinish an awful lot more money to find something considerably much better than this. Once aobtain Fender has concentrated its sights, aimed at the taracquire and also hit bullseye through its first shot. We"d prefer to check out a more adventurous colour palette and also much better gigbag (or form-fit case), however otherwise we can not fault the guitar at this price suggest.


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